I just saw a comment about this person on Mike Rinder's blog:
http://www.mikerindersblog.org/unimed/#comment-149385
"Personally, I think you are being quite too hard on the film. Being that I was org staff at the time, I’ve probably seen the thing fifty times or more. I betcha after a few beers I could recall a dozen lines and scenes from the film, even today. Right now, “RPF – here somebody comes!” is the only one that comes immediately to mind.
There were a LOT of things right about the film, particularly when you consider that it was 1978 and would have been a VERY low budget film even if the crew were paid union wages at the time, rather than SO pay. I’d be happy to talk over these fine points with anyone, but I’d want those beers first!
I have only one thing to object to about SFR. The end credits list, basically, EVERYTHING being done by the old man. Everything.
(Rolling Credits)
Produced by
L. Ron Hubbard
Directed by
L. Ron Hubbard
Screenplay by
L. Ron Hubbard
Music By
L. Ron Hubbard
and on and on and on.
I thought it was all pretty good. I certainly did not think that it was a masterpiece, but I thought, given the resources and the fact that so many of the actors had never been trained and that Ron probably did teach all the film crew everything, I was quite impressed.
However, what particularly shined in SFR was the music. Particularly the final scene where the elderly woman (confined to a wheel chair) has her lists corrected by the auditor (I can’t remember the auditor’s name right at the moment, but he and his wife and daughter are friends to many here.). In that very dramatic scene where the right item is indicated and she slowly gets out of her chair to walk, there is a solo violin piece to heighten the drama. As a kid I was in the school orchestra and was a big fan of classical music. I was not a prodigy at all, but I knew enough to know masterful composition and perfect violin playing when I heard it. That piece of music is a masterpiece. And It worked PERFECTLY in the film.
Watching that scene for the first time, and then seeing the rolling credits with Ron’s claim to the music, I remember thinking “Further proof that this man is a GENIUS!” I was proud.
Years and years later, at the FOLO West, when prepping for a mission, for some now-forgotten reason I found myself reading with fascination the “R Advices” for the film as it was in progress being produced after all the filming. (“R Advices” were typewritten blips that Ron would say and messengers would dictate that rarely made it to full issue status but were still regarded as holy scripture by SO members – also an actual Hidden Data Line – but that’s another story.)
And in reading those advices I got a “Holy Cow!!!” moment. One advice was about the credits. The advice said this: “Change crediting
LaMont Johnson as the composer and attribute the music to L. Ron Hubbard.”
(LaMont Johnson was a highly regarded Scientologist mission holder, film and jazz composer and musician, non-SO and LA-based throughout the 70’s. A WONDERFUL person who was as dedicated a Scientologist as anyone I ever met.)
It was a break in affinity, reality and communication, to say the least. One more (big) datum into the growing bullpen of information labeled “Can I really trust Ron to always tell the truth?”"