-snip-
I have kept Hubbard at arms length although it has been suggested if I did
not I would perceive him directly...
-snip-
Originally posted by Blue Spirit.
That is a keen description of Hubbard's negative side.
I experienced it first hand with an "auditor" who is in Hubbard's valence, as if
I didn't get enough of it in the "Church" before that. This person is (until I
saw it) also a master of covert hostility, who cannot be trusted, and I'm not
about to let him off of the hook.
As far as having to trust Hubbard, I'm not in a position where I need to do
that. I essentially C/S myself, and insist on knowing what I'm doing with full
reality. Other beings senior to him are being used as needed, and when
needed. None of these recent occurrences were expected or postulated.
I have kept Hubbard at arms length although it has been suggested if I did
not I would perceive him directly. I may do it as a drill.
I could not be taken in by him with what I know to be true, any longer.
Just not possible.
I can say with some awareness that the covert old Hubbard just wouldn't
work at all with those he hangs around with now. Not a chance.
The person who got me started blew from the Apollo.
I certainly wish she'd volunteered the full story, or I'd asked more questions.
She had the qualities to not get fucked up there, while obtaining all of the experimental rundowns of about 1970-1972.


Very, very enjoyable! They were all outstanding but I liked the first two plust the Scott Joplin down near the end the best. That second guy really plays a mean boogie-woogie. There is nothing like boogie-woogie. It should always be in style. Tremendous counter rhythms in the bass of the left hand.
Lakey
Meanwhile movies depicting blacks as hit-men, drug dealers, and pimps appear to be fine with the NAACP.
I think what galled them was that Uncle Remus loved people without regard to the color of their skin or their social class. It cut across their agenda of having blacks resent whites.
Either that, or Uncle Remus perpetuates the "happy slave" myth. Makes it easier on the collective consciousness of the white folks if you can smooth over the idea that the slaves could be in the least bit unhappy about their lot in life.
Tell me, when the movie came out, did blacks in the US have the vote and, if not, what did Scientology have to say about it?
The NAACP doesn't look that deep, they just see Black Man = No Education = stereotype of Black Men in general = Ignorant Man who is only happy because he doesn't know any better.
Sure, the blacks were enfranchised in law but not in practise, certainly in the Southern US where suffrage was not extended until the mid-1960s. I'm surprised Scientology had nothing to say about the situation at the time but I am reminded of Hubbard's comments in relation to blacks - wassa matta wid you hat?
But, don't get me wrong. The Uncle Remus stories are a hugely valuable historic record of black US folk stories. They have fallen victim to the passing of time and the change in fashions in regard to language and stereotyping, but will probably have their day again in academia if not the nurseries. A bit like the English writer Florence Kate Upton and her "Gollywog" stories, although I suspect Joel Chandler Harris' intellectual grunt and authenticity will prevail over the long haul.
The movie, however, is another story altogether.
You underestimate the NAACP. Perhaps, like me, it sees the utter waste of an intellect due to racism in the US where, rather than getting an education and bettering his wider society, Uncle Remus, instead, is reduced to amusing and babysitting the white folks' children. That he seems happy in this task and satisfied with his lot in life is to do with assuaging the predominantly white audience so as to enhance box office takings. To watch the movie today is to cringe at the patriarchal nature of the patronising attitude towards the victims of slavery. Next time you watch the movie, keep an eye out for the mud floor Uncle Remus sleeps on while his cuddly-white charges have linen-covered feather pillows for their rest - huh, what's that you say? The movie doesn't show that. Ah well, never mind, there's always the happy, happy, joy, joy songs and smiling wonderment of the cutesy-pie children to warm your heart, I suppose.
I'm enjoying your blog, David. I like your writing.
The first one was Tim Rotolo, who is now 17, and just finished high school. I hired him for the after party at Dave and Aida's after the Freezone Convention in Pasadena last year. He occasionally plays at Disneyland.
The second one is Carl "Sonny" Leyland, an iducted member of the Boogie Woogie Hall of Fame. i'm not making this up.
Just to finish painting the picture, I'm sitting on the front porch of an 1854 built house (now a Bed and Breakfast) looking up at the dark sky with the crystal clear stars and planets. It has been warm bordering on hot. Now, it is just perfect.
They are beginning to roll the sidewalks up (figuratively). I just left the ice cream parlour. The last ragtime pianist just walked by.
Breakfast is at 8, and I've ordered poached eggs on an English Muffin with fresh squeezed grapefruit juice and coffee that is so smooth that I don't need to add cream.
My faithful friend has a silver platter with Crystal Geyser water and venison snacks. My wife got the best massage of her life today. Our friends, who've come with us three years running now, are also having a great time.
The town was built during the old Rush. we're only about 40 miles from where gold was discovered. Like Nantucket and other towns that fell off the commerce track. This is pretty unspoiled. Old houses and buildings predominate. They are kept up, but have the 19th century feel about them.
Sutter Creek is a nice place to get away to.
Great travel recommendation. I never would have thought of going there but now will go as soon as I have a chance. While there, isn't there a fine winery, Sutter Creek Wines? Perhaps a tour of their facility could be added to the itenerary..
Lakey
THE KEY ISSUE IN A NUTSHELL
To me, the movie was not racist itself but it did PORTRAY actual racism which had taken place in the United States. The movie was a basically accurate historical account of what racism was like in the Old pre civil war South. IN BANNING SUCH A MOVIE AND PREVENTING THE WALT DISNEY FILM COMPANY FROM EXERCISING FREE SPEECH IN THE UNITED STATES OF AMERICA I believe the movie itself must actually be racist and represent Black people as servile or inferior to whites rather than merely accurately portraying racism which had taken place. When a movie merely portrays event which occurred at a time and place where real racisim was taking place and the movie attempts in a way, to champion the cause of those being discriminated against, then I do not feel that that movie should be banned from circulation.
Who suggested that to you?
Just curious.
Originally Posted by Enthetan View Post
Meanwhile movies depicting blacks as hit-men, drug dealers, and pimps appear to be fine with the NAACP.
I think what galled them was that Uncle Remus loved people without regard to the color of their skin or their social class. It cut across their agenda of having blacks resent whites.
That's interesting. I never thought about it that way.

[snippage...]
Though I understand the motivation of what the NAACP was trying to do by banning Uncle Remus and other things which they banned such as the Amos and Andy Radio and TV Shows, the Beaulah Show and others, I am sympathetic to the NAACP viewpoint when viewed objectively and not emotionally, I do not feel that viewpoint is the best viewpoint to take when it comes to getting rid of racism. For those who believe differently and support the banning of the Remus movie, they are right in following what they believe in and the course they took is the right course for them.
Lakey
I'm enjoying your blog, David. I like your writing.
Thank you... kind words are always welcome.
There is no way in this whole wide world that movie is an accurate portrayal of actual racism and slavery in the pre-Civil War days of the United States. Did you see the chains and the ships used for transport, the whippings, the live auction of human beings, the degradation, the forced removal and shattering of families at gun point . . . where were those scenes?
Okay, the word accurate is not necessary for my argument. The movie is a portrayal of racisim, accurate or inaccurate is not really a relevant point to our discussion. My point is it is a Portrayal of racism and not Racism itself, therefore the movie should not have been banned. By listing all the horrors of a more accurate portrayal, that supports my argument even more and diminishes your argument. Let's say that the movie showed the uglier side of racism as the "Roots" TV series did, then what. The accuracy of the portrayal is not relevant to the point we are discussing.
Lets take your Jewish analogy a step further. Can you imagine a movie about the two blonde, blue-eyed children of the Commandant at Auschwitz left in care of a prisoner . . . would that be an accurate portrayal of the Hollocuast? C'mon, Lakey, you can see that's ridiculous, surely?
I have no idea what you are trying to illustrate in your above example. In Sofie's choice and many other movies dealing with the the death camps, the blonde blue eyed Commandant is screwing the Jewish prisoner girl and eventually developes warm feelings for her. In "Swart Bok or "The Black Book" a fine art film which came out about a year and half ago, the Nazi commander fell for the Jewish woman and was willing to have children with her since his German children had been wiped out earlier in the war. Even so, what is your point. I don't get it. How does it apply to the Uncle Remus movie being banned, I don't see any connection.
As a free speech person I would never be in favour of the movie being banned. With free speech, of course, comes responsibility. Just as I would never take children to a porn movie, nor would I take them to see Uncle Remus. Porn has as much to do with healthy relationships as Uncle Remus does to getting the US to acknowledge its slave history. Its a white-wash - pun intended. Leave the movie available but put an R16 rating on it.
I attended the movie as an 8 year old and EP as a 6 year old. We both saw the good in Uncle Remus. We both made him one of our key role models in our lives. The Disney company was responsible insofar as the mores, morals and codes of their time allowed. The Disney Company's goal was to entertain children of all races and backgrounds. It was not meant as a major social commentary. Alex Haley's Roots series made that statement on film about 30 years later and made it very well.
One common thing for a person from a later period of time to do when examining something from an earlier time is to apply today's standards to something made in another era. To me you are applying 2010 morals to something made in 1948 and doing that does not always lead to valid results.
BTW, here's a more accurate portrayal of the realities of slavery captured in just a few minutes than Uncle Remus / Song Of The South displayed in over an hour:
Well, I would hope so! Disney's goal was to entertain children and not to portray the full brutalities of slavery!
http://www.youtube.com/watch?v=h4ZyuULy9zs